Laynie Browne is a poet, prose writer, artist, editor and teacher. She is the author of seventeen collections of poems, three novels, and a book of short fiction. Her recent books of poetry include: Everyone & Her Resemblances (Pamenar, 2024), Intaglio Daughters (Ornithopter 2023), Practice Has No Sequel (Pamenar 2023), Letters Inscribed in Snow (Tinderbox 2023), and Translation of the Lilies Back into Lists (Wave Books, 2022). Her work has appeared in journals such as Conjunctions, A Public Space, New American Writing, The Brooklyn Rail, and in anthologies including: The Ecopoetry Anthology (Trinity University Press), The Reality Street Book of Sonnets (Reality Street, UK), and Postmodern American Poetry: A Norton Anthology (W.W. Norton). Her writing has been translated into French, Spanish, Chinese and Catalan. Collaborations include a public art project, “Dawn Chorus,” a curated constellation of poetry in thirteen languages by twenty-eight writers engraved in The Rail Park in Philadelphia with visual artist Brent Wahl. In 2024 a solo show of her collage titled “On the Way to the Filmic Woods” was exhibited at the Brodsky Gallery at Kelly Writer’s House. She co-edited the anthology I’ll Drown My Book: Conceptual Writing by Women (Les Figues Press) and edited the anthology A Forest on Many Stems: Essays on The Poet’s Novel (Nightboat). Honors include a Pew Fellowship, the National Poetry Series Award for her collection The Scented Fox, and the Contemporary Poetry Series Award for her collection Drawing of a Swan Before Memory.
